Else

Doll stumbles as she rushes home, one fine little foot caught in the cracked sidewalk, stone-teeth gnawing at protective leather. Her bag's too heavy today, rattling and clanking against her bruised hip; each step brings a fresh gasp of pain to her tightly sealed lips. Oh, if only she didn't have to hurry, if only she could take her time—!

But the sun's grasping rim is already teasing against the horizon, so far off across the sea that Doll's eyes can barely see the superheated steam which always veils those nightly indulgences; the sea is reaching up towards it and every clock in the city is about to chime out out the 19th hour's song and there's no time held in wait for her belated need.

When doll slips from the confines of her bed-box and stumbles downstairs, there's an odd rectangle waiting at the table: a folded sheet of thick, creamy paper. It's for her, obviously—why else would her miss have put it there, next to her oatmeal and tea?

But doll isn't sure.

"Miss, what's this?"

You are dreaming.

The oddity of recognizing this does not impede your progress forward into the dining hall's elegant vastness. Nor does it permit you to deviate from the path the dreaming part of you—the part that weaves the world—has chosen for you.

"Oh, you're finally here!"

Her lips press against your skin like sun-warmed feathers, soft and gentle, lingering only long enough for the poison to soak in. Each kiss leaves you shivering against the dead field below you, fingers twitching against soil rendered cold and lifeless by winter's harsh grip—

You don't look at her.

On the day Abigail found her halo, her mother had sent her up into the attic to pick out some ornaments for their tree (for it was that time of year, with snow outside and candles burning in the window; so unlike our winters now!).She didn't want to, of course. The attic was dark and cold, and as she climbed the ladder up she felt like she was ascending into a den of monsters. The little flashlight dangling from her wrist hardly illuminated a thing, and her neck itched so very horrible as she poked her head up through the trapdoor—

"Hey, get ready. Fifteen seconds ..."

"Yeah, yeah, I'm ready."

"... five, four, three, two, inhale—"

The burnt-lemon smoke burns her throat as it goes down, leaves her feeling rough and raw. Spasmodic coughs shake her body.

⌈Cartɘr & Abɘl—ruining witchɘs' days sincɘ 629⌋

It's a cute sign. Done in marker on cardboard, sure, rather than paint on wood, but there's something almost charming about that to Arlene's weary eyes.

Pity that building it's affixed to is such a disaster.

Arlene's last customer of the day is uncomfortably prickly as Arlene looks her over. She's healing up well: the only trace of the rod's presence is a scattering of flowers rising up from beneath her flesh, their lines sketched in blisters and bruises and knotted scars.

Florence refuses to meet her eyes when she finally steps back and peels off her gloves.

"... well, you seem to be healing up okay, unless you want me to clean the traces off?"

"What was I?" Florence asks, the question bubbling up unbidden through her seed's vestigial throat and out past teeth already well on their way to hatching. Up in the red sky above the little patio where she keeps that memory of her lesser self her hands flutter uncertainly.

It is not what she expected to ask the shining-blazing-sharp-painspitting thing which crawled into her and took away her toys.

Inside the building reeks of fresh death and fresher growth.

As Arlene creeps through it, guiding herself by apartment numbers and the scant surviving signage, she passes by windows dilated into misshapen staircases and beneath twitching masses of blue-white growths, dangling down from the high ceiling like tangled threads and greasy hair.