melancholy

The willows' leaves hang heavy and low, a cascade of crimson tears soaking up the lake's polluted water, planted by some long-ago witch to decorate a pathway through her estate; but she is long gone now, and her gardens have dwindled to be nothing more than a park.

It is a good park, mind, sometimes called one of the city's shining jewels (though only by poets and brochures); on most days it's full of picnickers and joggers, stray students playing games on the lawns and witchlings praying for luck at the tomb hidden on the north bank.

The city is full of ruins, though few last long—waves of construction, of revitalization, flow through it like water, like the flexing of some unseen beast. The city's blood flows in cranes and trucks and trains, in the brutality of gentrification and the decay that follows.

Trash dolls and harpies run before the wave, and feral angels slide through the cracks; but witches always find a way to protect their places, all those strangely preserved houses scattered through the hills, those otherworldly relics. Even after their deaths, they remain.

Not that witches often die, of course! Or perhaps it's that they're not often known to die—a dollhouse can continue for such a long time in the absence of new instructions, and so often new witches seem to rise from within, rather than slipping in from without.

But that's not this story.