October Prompts

A series of prompts for writing and art, split into loose categories by week.

Every so often a fuss is made about folk dolls, those odd little half-living homunculi; beings of distilled purpose and steady decay, straw and sticks and hollow gourds. People rediscover them, and wonder why they’re not in wider use. Listen for a moment and I’ll tell you 🧵 No self-respecting witch would let herself be seen to use one instead of a proper doll, and it’s easy to suppose that that’s the reason. It’s a class signifier, right? A power thing. ...

Once, long before, you wondered why the witch–your witch, now–was always covered in bruises, why her skin was forever a tapestry of slowly fading marks, all those purples and yellows hiding the warmth of her skin. Once, you wondered why. But then you died. When you were alive, you had assumed the obvious. She had never cared to cover them, to conceal them, and you couldn’t conceive of her as a being that anyone could hurt without her willing consent; so you assumed it was simply a kink that she didn’t care to keep secret. ...

It always sounds the same, that echoing chant, those pounding feet and snarling faces; look, look! See what you have done, see the crimes you have committed against Decency, against the People, against everyone who sought you out to ask for what you offered. How horrid, how criminal! How dare you. It’s almost like you wanted to be punished, to be destroyed; almost like you craved the lashing whips of You Are An Acceptable Target and the flensing knives of You Deserve Everything We Do To You. ...

The poultice stings as it presses against her splitting flesh, as the cool liquids inside seep out into the painful heat radiating from her back. She does her best not to scream, not to wince, and her failure is rewarded with a Look, disappointment more potent than any fist. She buries her face in the bed, hides her tears as the second poultice presses against her shame, against the burning red streaks stretching and tearing her skin as they swell and throb inside the small of her back, as lances of Wrongness skewer her to her bed. ...

It is understood that ⸤distillation⸣ is a process by which ⸤slimes⸣ maybe be both concentrated and made more amenable to their ⸤purposes⸣. However, this process does not reduce their ⸤curative properties⸣ when applied to a ⸤garden’s components⸣. Through the application of a ⸤purpose-made object⸣ to a fully ⸤distilled slime⸣ a form of thread may be produced with minimal cost to the surrounding ⸤garden⸣. Such thread is suitable for lacing through any ⸤damaged components⸣, and noticeably prolongs their ⸤life⸣. ...

By the time you find the secret door you’re almost ready to give up and call it a day (well, a night. Can’t rob the necropolis during the day!). Maybe this tomb was never finished, this mausoleum never occupied. Maybe it’s just a dead end! A trick. It’s been known to happen. Besides, your lantern’s starting to sputter, the last refill of oil on your belt hanging with the weight of finality. If you waste it on a dead end then it’ll be weeks until you can scrounge up enough for another attempt, maybe months before you can sneak in again. ...

She only went to the witch as a last resort, after years of being shuffled between doctors, of mortifying exams and racks upon racks of bloody vials. And, of course, pain. Always pain, always the ebb and flow of agony filling her and fading away with no rhythm she could hear. She wasn’t stupid, no matter how her mind was fogged; she knew that witches were a last resort, dangerous and mercurial. That’s what she had always been taught, what she’d always heard in breathless news reports about children plucked from their beds and remade into new forms. ...

Feral angel girl sitting in the basement, far from her flock’s nests, filthy light splintered by broken windows falling all around her. It reminds her of her halo, in a way. Letting it fill her senses feels the same as the Thing used to feel in her mind. Years ago someone dragged a whole-ass payphone into the basement, just pulled it right out of the ground and tossed it down. It still sparks form time to time. ...

“Why!” (slam) “won’t!” (slam) “you!” (slam) “die!” She brings the window down on your neck again and again, each impact sending fresh cracks shooting through your body’s smooth glass, reopening the old ones you had so laboriously sealed earlier in the day. A passerby glances at you, curious about the noise; you do your best to smile back, to ward off his attention. It’s easy enough not to wince, to play this off as just some game. ...